"The veil of the temple cracked. Curtain theater that lays bare the stark reality of the clubhouse. And the clique. And the crime. The death of God in the name of law and freedom of the jungle. Intense weathering neighborhood. And city. and country. Lives converted to smithereens by a rock that perhaps no one threw collective "
In the manner of a well-run Greek tragedy, leaving a side one of its components, dragging in its passage assured narrative for the viewer that violent death is the hallmark of so much misfortune purifier, Broken Gods crown very good results Ernesto's arrival will give the film domains and with it the team that accompanied it, including the actors.
Again the Yarini unburied, that rooster San Isidro, make war again in this contemporary social and cultural parallels of pimps and prostitutes, and women who, far from it, succumb to the rigors of the male sensual, this expression seems resulting from the cruder macho mentality, but it is a thesis film's oblique, no matter that the college professor who studies the subject (Silvia Aguila) be seduced by the young pimp (Carlos Ever Fonseca) under a formal explanation that "it was drugged. "No sir. There wassomething else that delivery carnal and the director stresses, both in the images of decoking, and an final desperation of "victim."
The popularity award given to Los dioses rotos (The broken gods) did not respond to one of those funny movies with a catch that has been used a hundred times in order to captivate a huge audience. But it went to a piece that stemming from a complicated theme, showed a narration structure of risks, if we take into account that it was the full-length movie debut of Ernesto Daranas.
Trailer No. 1
Trailer No. 2
Again the Yarini unburied, that rooster San Isidro, make war again in this contemporary social and cultural parallels of pimps and prostitutes, and women who, far from it, succumb to the rigors of the male sensual, this expression seems resulting from the cruder macho mentality, but it is a thesis film's oblique, no matter that the college professor who studies the subject (Silvia Aguila) be seduced by the young pimp (Carlos Ever Fonseca) under a formal explanation that "it was drugged. "No sir. There wassomething else that delivery carnal and the director stresses, both in the images of decoking, and an final desperation of "victim."
The popularity award given to Los dioses rotos (The broken gods) did not respond to one of those funny movies with a catch that has been used a hundred times in order to captivate a huge audience. But it went to a piece that stemming from a complicated theme, showed a narration structure of risks, if we take into account that it was the full-length movie debut of Ernesto Daranas.
Trailer No. 1
And The Broken Gods, well directed and performed, gave such a direct hit that it would not be risky to state that it may be classified among the most stimulating opera prima in the history of Cuban cinema.
Already in the festival, a short while before the official awards were made public, the Cuban Movie Press Association, as well as the Cultural journalists circle gave it its respective awards. And now, the first one of those entities, has just selected it among the most important movies screened in the country in the year 2008 (the only Cuban full-length film) and with that choice, justice has been made again.
Soundtrack
"Tema de la Muerte" by Juan Antonio Leyva & Magda Rosa
It is an immense happiness that the public and the specialists of the field (sometimes great adversaries) might coincide.
People have been talking about juries and official awards since that first competition, in cave times, in which the strongest voice in the group –and undoubtedly the winning one- did not receive the crown for reasons that are still a mystery.
Trailer No. 2
But The Broken Gods will surely be present in other world festivals and perhaps, they will then.
See the movie in 9 parts.
At the end is complete
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Sheet
Dirección de arte - ERIC GRASS
Montaje - PEDRO SUAREZ
Dirección de Fotografía - RIGOBERTO SENAREGA (A.C.F.)
Cámara Máster - FELO RUIZ (A.C.F.)
Corrección digital de imagen - RUDEL REYES
Música Original - JUAN ANTONIO LEYVA Y MAGDA ROSA GALBAN
Banda Sonora - OSMANY OLIVARE
Directora asistente - ENMA ROBAINA
Diseño de vestuario - VLADIMIR CUENCA
Sonido directo - RAUL AMARGOT (NIKITA)
Diseño Gráfico - RAUL VALDES
Producción - CAMILI VIVES - ISABEL PRENDES
Posproducción - CELINA MORALES
Producción ejecutiva - MANOLO ANGUEIRA
Guión y Dirección - ERNESTO DARANAS SERRANO
Post
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Ends his acting studies at the Instituto Superior de Arte in Havana. Introduced in the last round of auditions Broken Gods being on the spot chosen for the pivotal role of Sandra. Has been selected by the Director Carlos Díaz to join its prestigious theater company"The Public", which debuted in the work Fredro. Other producers are currently working with her.
BASILIO
Graduated from Instituto Superior de Arte in Havana and Goro Japanese Nataguo Bhutto. Versatile actor with notable performances in cinema, theater and television.Outstanding performances on TV's The Orphan of Obrapía and The Dark Side of the Moon in the telemovie Santa Camila and The Last Round, and the films Oak Odor, Bad Seasons (Spain), Bailando cha cha cha, Residencial Caribe (Spain), Fruit Coffee, the Traveler (Japan), three times two, and others.
CASTING
Silvia Águila ........ LAURA
Carlos Ever Fonseca .....ALBERTO
Héctor Noas ....................ROSENDO
Annia Bú Maure ..............SANDRA
Eman Xor Oña ................BASILIO
Isabel Santos ..................ISABEL
Patricio Wood ................ ROMAN
Amarilis Núñez ............... ROSA
Mario Limonta .................LAZARO
Kiriam (Jesús Irmino)......BARBARA
Idalmis García .................TAMARA
Claudia Muñiz ..................KARLA
Yackie de la Nuez ...........ABUELO
Yoel Infante ......................TONY
Claudia Valdés ................MUCHACHA 1
Loliet Valdés ....................MUCHACHA 2
Alexis Martí ......................TATI
Pedro Fernández ............MECANICO
Ariam Molina ...................CHULO
Yolanda Pujol ...................PADRE DE ROMAN
Alfredo Martínez ...............HOMBRE
Jordan Rodríguez ............CHALA
Sor Asela ..........................MONJA
Daisy Quintana .................VOZ
Like any melodrama that respect, there are points and the occasional predictable high-sounding tone, but all within a coherent narrative builds on the actions (Héctor Noas) fine too much as "gigolo" and respected profession in the environment, and that revelation that it's beautiful Annia Bu Maure, in the role of passionate and sentimental prostitute leads to tragedy).
Free Cubaneo Cuban film, and the joke riveting realism to the easy win public approval, Broken Gods is the best of Cuba exhibited in recent years.
Be sure to see it!
Photo Gallery
Qué Tengo Pa' Tí
2013
